More than 30 years later, it remains one of the most ambitious, sought-after and totally bizarre low-budget Canadian features of all: Yugoslavian-born actor Lazar Rockwood in a debut performance Canuxploitation.com calls "creepy, astonishingly uncharismatic, and displaying a complete disregard for the craft of acting" is Boris, an ex-con and career thief who convinces his ex-girlfriend (Bonnie Beck) to help him rob her wealthy boss' castle. But when Boris discovers that the eccentric millionaire has booby-trapped the building, they'll have to survive six riddle-triggered rooms of homicidal mayhem in order to claim the treasure. Writer/director (and future best-selling religious thriller author) B.D. Benedikt made his unforgettable filmmaking debut with this bottom-shelf VHS classic.

While a group of young actors rehearse a new musical about a mass murderer, a notorious psychopath escapes from a nearby insane asylum. But when the show's director locks his cast in the theater overnight, the madman is accidentally locked inside as well. Now, a killer with acting in his blood has gone berserk for the blood of actors (including several scenes that EuroHorror fans worldwide consider to be the most violent of the decade) and the stage is set for one unforgettable evening of shock, suspense and unstoppable carnage. STAGEFRIGHT marked the stunning directorial debut of Dario Argento protege Michele Soavi and instantly sealed his reputation as the leader of Italian horror's new generation of filmmakers. Also know as AQUARIUS, DELIRIA and BLOODY BIRD, this brutal shocker has been restored from original Rome vault materials and is presented unrated, uncensored and totally uncut.

There is something very wrong with the elevator in a stylish office high-rise. The passengers never end up on the floor of their choice. They end up dead! When Felix, an inquisitive repairman, investigates the faulty deathtrap, he discovers that something other than malfunctioning machinery is to blame. Some dark, distorted power has gained control of the elevator for its own evil design. After his horrifying discovery is given the shaft by the authorities, he joins a nosy female journalist to battle the unholy force inside THE LIFT! Huub Stapel (AMSTERDAMNED) and Willeke van Ammelrooy (ANTONIA'S LINE) star in this chilling cult classic from Writer/Director Dick Maas (SAINT), who also composed the score and later helmed the 2001 English-language remake, DOWN (aka THE SHAFT). Long unavailable on U.S. home video, Blue Underground now proudly presents THE LIFT in a brand-new 2K restoration from the original negative, approved by Dick Maas!

SMITHEREENS is the story of Wren (Susan Berman), an 19 year old layabout from New Jersey who has come to Manhattan to promote herself to stardom in New York's waning punk music world. With nothing going for her except her audacity, Wren pursues fame by trying to attach herself to a rock band. Featuring Punk giant Richard Hell and evocative music from The Feelies' debut record. Smithereens is the directorial debut of Susan Seidelman (Desperately Seeking Susan) and was the first American independent film to compete at Cannes.

Diabolical. Seductive. Immortal. Vampires have been an icon of evil in folklore and popular culture for more than three centuries, yet only one name still personifies the ultimate aristocrat of bloodlust. Now join the world’s foremost experts on Dracula – including academics, authors and horror historians – as they explore the untold story of the Transylvanian Count, from the legend of Vlad The Impaler and Bram Stoker’s celebrated novel through its landmark stage productions and classic movie adaptations. It’s a crimson trail of twisted archival materials, startling film clips and rare interviews – featuring Bela Lugosi, John Carradine and Christopher Lee – plus Bonus Materials that include additional interviews with Udo Kier and Werner Herzog, over 90 minutes of Dracula movie trailers, and more!

The original Ozploitation classic is back like you’ve never seen it before: Robert Thompson stars as a comatose killer seemingly unresponsive in a small private hospital. But when a hot new nurse (Susan Penhaligon of THE LAND THAT TIME FORGOT) begins to question his condition, Patrick will unleash a waking nightmare of psychokinetic carnage. Sir Robert Helpmann co-stars in this international hit shocker produced by Antony I. Ginnane, written by Everett De Roche and directed by Richard Franklin, now transferred in HD from the original negative for the first time ever.

Director Toshio Matsumoto’s shattering, kaleidoscopic masterpiece is one of the most subversive and intoxicating films of the late 1960s: a headlong dive into a dazzling, unseen Tokyo night-world of drag queen bars and fabulous divas, fueled by booze, drugs, fuzz guitars, performance art and black mascara. No less than Stanley Kubrick cited the film as a direct influence on his own dystopian classic A Clockwork Orange. An unknown club dancer at the time, transgender actor Peter (from Kurosawa’s Ran) gives an astonishing Edie Sedgwick/Warhol superstar-like performance as hot young thing Eddie, hostess at Bar Genet — where she’s ignited a violent love-triangle with reigning drag queen Leda (Osamu Ogasawara) for the attentions of club owner Gonda (played by Kurosawa regular Yoshio Tsuchiya, from Seven Samuri and Yojimbo). One of Japan’s leading experimental filmmakers, Matsumoto bends and distorts time here like Resnais in Last Year at Marienbad, freely mixing documentary interviews, Brechtian film-within-a-film asides, Oedipal premonitions of disaster, his own avant-garde shorts, and even on-screen cartoon balloons, into a dizzying whirl of image + sound. Whether laughing with drunken businessmen, eating ice cream with her girlfriends, or fighting in the streets with a local girl gang, Peter’s ravishing Eddie is something to behold. “She has bad manners, all she knows is coquetry,” complains her rival Leda – but in fact, Eddie’s bad manners are simply being too gorgeous for this world. A key work of the Japanese New Wave and of queer cinema, Funeral Parade has been restored in 4K from the original 35mm camera negative and sound elements.

For years Roscoe (Joe Spinell) has been the town undertaker. However, inside his funeral home, he's been amassing a bloody collection of human souvenirs, which he uses in unspeakable acts of violence and perversion. One of cult superstar Joe Spinell's final films, THE UNDERTAKER is a dark and violent slasher featuring one of Spinell's most memorable and flamboyant performances. Long thought lost and only available in bootlegs or its radically recut and heavily censored version.

Grindhouse Releasing is proud to present the first official U.S. release of the sickest and most violent of all the early ’80s slasher movies. A psychopathic killer stalks a Boston campus, brutally slaughtering nubile young college co-eds, collecting body parts from each victim to create the likeness of his mother who he savagely murdered with an axe when he was ten years old! PIECES is a wild, unrated gorefest, with enough splatter and sleaze to shock the most jaded horror fan. “One of my top horror films of all time! Not only is this the ultimate chainsaw movie, it’s the ultimate slasher film. It has everything you could possibly want, by the bucketful. Full on chainsaw violence, absurd amounts of nudity, and the greatest ending in horror history. A masterpiece of early 80’s sleaze. ” — Eli Roth, director of CABIN FEVER and HOSTEL

After consuming rabies-infected meat pies, an LSD-crazed hippie cult goes on a vicious murdering rampage! Heavily censored since its original release, the infamous landmark of cinematic brutality is being presented for the VERY FIRST TIME in America in all its blood-spattered glory. “Breakneck-paced, edge of the seat entertainment. Well written and superbly directed by David Durston and stunningly photographed by Jacques Demarecaux.” — Kevin Thomas, Los Angeles Times

It was seized by UK authorities as a ‘Video Nasty’ and accused of being an actual snuff film. Yet even by ‘80s Italian gore-spewing standards, this grueling shocker from sex & sleaze maestro Joe D’Amato (BEYOND THE DARKNESS) still stands as perhaps the most controversial – and extreme – spaghetti splatter epic of them all. Tisa Farrow (ZOMBIE), Zora Kerova (CANNIBAL FEROX) and co-writer/producer George Eastman (STAGE FRIGHT, 1990: BRONX WARRIORS) star in this depraved daddy of cannibal carnage from “Italy’s King of Trash Sinema” (Horrorpedia.com), now featuring a 2k scan from the original 16mm negative – including two of the most gut-retching scenes in horror history – and spurting with all-new Special Features.

In what remains the most obscure, bizarre and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – Elizabeth Taylor stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence and her own increasingly unhinged mission to find the most dangerous liaison of all. Academy Award nominee Ian Bannen, Mona Washbourne and Andy Warhol co-star in this “unique, hallucinatory neo noir” (Cult Film Freaks) – barely released in America as The Driver's Seat – directed by Giuseppe Patroni Griffi (‘TIS PITY SHE’S A WHORE), adapted from the unnerving novella by Muriel Spark (The Prime Of Miss Jean Brodie) and featuring cinematography by three-time Oscar® winner featuring cinematography by three-time Oscar® winner Vittorio Storaro (Apocalypse Now), now restored in 4K by Severin Films.

New York City factory worker Eddie Marino (Robert Forster, Oscar nominee for JACKIE BROWN) is a solid citizen and regular guy, until the day a sadistic street gang brutally assaults his wife and murders his child. But when a corrupt judge sets the thugs free, Eddie goes berserk and vows revenge. Now there's a new breed of marauder loose on the city streets, enforcing his own kind of law. His justice is swift. His methods are violent. He is the VIGILANTE. Fred Williamson (FROM DUSK TILL DAWN), Woody Strode (SPARTACUS), Joe Spinell (MANIAC) and Salsa legend Willie Colon co-star in this hard-hitting exploitation classic from director William Lustig (MANIAC COP, RELENTLESS) that many critics consider to be better - and more shocking - than the original DEATH WISH.

“There have been enough post-holocaust nuclear winter films to constitute a genre” says Time Out, “but there has never been anything quite like this.” When the Wind Blows is Director Jimmy T. Murakami's animated classic about an elderly couple – voiced by Academy Award® winners Sir John Mills and Dame Peggy Ashcroft – attempting to survive the aftermath of a nuclear war. Featuring an original score by Roger Waters with title song by David Bowie

An instant critic’s darling upon its release in 2006, Mutual Appreciation is at once an utterly timeless and distinctly mid-aughts portrait of the ebb and flow of twenty-something life in New York City. Richly observed and deeply humanist, the film follows Alan (Justin Rice), an aspiring musician, who crash-lands in town following the breakup of his band in Boston, immediately taking up with his old friends Ellie (Rachel Clift) and Lawrence (writer-director Andrew Bujalski) while negotiating the affections of a local radio DJ (Seung-Min Lee). In the tradition of Éric Rohmer, John Cassavetes and Jacques Rivette, Bujalski crafts a deft yet unassuming generational statement that finds its inspiration less in plot than in sharply drawn relationships and captivating conversations. Lovingly lensed in intimate 16mm black & white film, Mutual Appreciation is a generous and witty ode to the friendships that hallmark our awkward and enthralling post-collegiate years. Mutual Appreciation, along with 2002’s equally lauded Funny Ha Ha, signaled the triumphant arrival of indie auteur Bujalski, who has gone on to write and direct a suite of critically acclaimed features including Beeswax (2009), Computer Chess (2013), Results (2015) and 2018’s Support the Girls.

Broke and desperate filmmaker Adolpho Rollo (Steve Buscemi) is a Manhattan wannabe in love with the mysterious woman next door, Angelica Peña (Jennifer Beals). He puts out an ad offering to sell his 'fabulous' movie script for $500, and gets a response from Joe (Seymour Cassel), who gives him a thousand and says he'll raise the 250,000 to make the picture. The problem is, Joe is a semi-connected wiseguy with a hemophiliac brother Skippy (Will Patton) and a habit of committing oddball crimes.